Some people do live in a bubble, and maybe need to get a good, expensive haircut.
|Source: Vanity Fair|
“Robbie” would be Robbie Antonio, a 36-year-old real-estate developer and voracious art collector who has spun a golden web and ensnared some of the world’s top creative names for two eye-poppingly ambitious projects.
The first is the Manila home, which also serves as a museum for his ever expanding art collection, with works by the likes of Damien Hirst, Francis Bacon, and Jeff Koons. The building, by Koolhaas and his team at the Office for Metropolitan Architecture (OMA), is referred to by the name Antonio gave it, Stealth. Its cost—upwards of $15 million—is in somewhat stark contrast to the average annual Filipino-family income of $4,988. Indeed, the building, under construction on a small lot in Manila’s most exclusive neighborhood, has been kept largely quiet until now. It’s a series of boxes stacked together in an irregular pattern, with scooped-out windows that call to mind Marcel Breuer’s Whitney Museum, all wrapped in a charcoal-colored concrete-and-polyurethane “skin”; the roof features a pool flowing into a dramatic waterfall.
Antonio calls the second project Obsession: a series of portraits of himself by some of the world’s top contemporary artists, including Julian Schnabel, Marilyn Minter, David Salle, Zhang Huan, members of the Bruce High Quality Foundation, and Takashi Murakami.
So far, two dozen portraits are under way or completed, with nearly $3 million spent on them. Antonio is aiming for 35 in the series by the end of the year, all of which will be housed in a special gallery within Stealth, open only to invited guests. The level of effort he’s put into Obsession and Stealth over the last two years “tells you about my personality—going to extremes, down to the minutest detail,” he says.
On Vanity Fair: The Museum of Me
Also: This piece that looks like it was never checked by a proofreader is better read while listening to a Carly Simon classic.